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Actors Kajol and Twinkle Khanna’s new talk show Too Much with Kajol and Twinkle is in the news. Many big stars were seen in the show. Stars like Akshay Kumar, Saif Ali Khan, Alia Bhatt, Varun Dhawan have been seen in the show. Govinda and Chunky Pandey were seen in the latest episode. Both of them revealed many secrets related to their personal and professional lives in the show.

Chunky’s connection with Shahrukh Khan’s debut

Chunky told that he also has a connection with Shahrukh Khan’s debut. Chunky said, ‘No one in our entire family has ever become an actor. Yes, my uncle, my maternal uncle used to do character roles. His name was Col. Raj Kapoor. He had made Fauji serial with Shahrukh Khan.

Chunky told that his parents were doctors. He had professional relations with the film industry. Chunky said, ‘I am the son of two doctors. My father was a heart surgeon. My mother was also a doctor. She knew the entire film industry. I was the medical expert of Bollywood actors.

After this Govinda also reacted. He told that dance has been a big part of his identity as an actor. Govinda said that Saroj Khan is behind his training. Govinda said, ‘So Kamal Master gave me my own style. He told me to dance without talking. So whatever words he used to say, the song is danced according to the lyrics. It started with Kamal Master ji.

Govinda further said that because of his dance, he got the opportunity to perform with iconic singer Samantha Fox.

Govinda did the film without taking fees

Govinda also told that once he did a film for bananas and coconuts. Govinda said that Subir Mukherjee’s mother had once helped his mother. After many years, he got a chance to repay that loan and do a film with Subir. He did not take money for this. Govinda had taken only a dozen bananas and coconut as fees.

Raj Kapoor’s most ambitious dream was broken. ‘My name Joker’, which had created a mountain of expectations, the mind had fallen. The Great Show Man was drowned in Aakanth’s loan. Home and R.K. Had to mortgage even the studio. He raised his favorite pastime in debt burden, deep disappointment and depression.

It was a comic book. The name was Archie. While reading this, his eyes were stuck on a dialogue, and he was, “Seventeen years of age, we have our own life, and we realize it.” What happened after this, he set a new example bypassing the customs.

This entire story is mentioned in KA Abbas’s book Bobby-The Complete Story. Is also justified. A film that changed the direction and condition of cinema, why not write a book on it? That too at the hands of the person who has been a part of that history!

How did Rishi Kapoor become the hero of ‘Bobby’

A sentence of Archie Comics ’17 is no age ‘shook Raj Saheb inside. Raj Kapoor picked up the car and reached the office of his trusted writer ‘Khwaja Ahmed Abbas’ in Juhu. On the way, Abbas Saheb’s partner and co-writer V.P. Sathe also joined him.

In that journey from Dionar to Juhu, Raj Kapoor had created the entire scene in his mind. Had had decided to give the character of Hero to his son Chintu (Rishi Kapoor). The same son whose ‘Mera Naam Joker’ was well appreciated.

The afternoon of 1972 became a sweet memory and settled in everyone’s hearts. Kapoor, Abbas and Sathe together sowed Bobby’s seeds. The film based on teenage love touched an entire generation with innocence, simplicity and unmatched music.

‘Bobby’ became an example

When ‘Bobby’ was released on 28 September 1973, it became an example. The beginning of the seventies was tremendous. Iqbal of Indian cinema was elevated. Rajesh Khanna was dominated as a romantic hero by giving 15 hits, as well as Dev Anand’s ‘Hare Ram Hare Krishna’ (1971) showed hippie and drug culture well, in the meantime, Prakash Mehra’s ‘Zanjeer’ (1973) made the Hindi film industry aware of ‘Angry Young Man’.

In a similar era, Raj Kapoor introduced ‘Bobby’ on a teenage age innocent rebellion, where Rishi Kapoor became the face of the younger generation dreams. Breaking the traditions in the film, Raj Kapoor gave a modern look to fourteen -year -old teenager Dimple Kapadia. Like the characters adorned on the pages of Archie Comics, there was an emphasis of shorts, swimsuits, maxi gowns, polka dots and bell-boatms. Rishi Kapoor’s style also turned into a jolt. Torn jeans, Bushshirts and Pulover became the style statement of the youth.

This film changed many narratives. Kishore love, new actors, younger generation rebellion, fashion, music and boldness attracted the youth a lot and this is where the era of teenage romance in Hindi cinema started.

Shailendra was one of the most famous lyricists of the golden age of Hindi cinema. He was born on 30 August 1923 Rawalpindi (now in Pakistan). Shailendra, who came from ordinary family background, left an indelible mark in the film world through his deep thinking, simple but effective words and songs filled with emotions.

He along with Raj Kapoor gave many memorable songs, including “Awara Hoon,” “Mera Shoe Hai Japanese,” and “Dil Ka Hall Sune Dilwala”. Shailendra’s songs used to connect with the sensations of the common man, which is why the words written by him touched the hearts of the people of every section.

From romance to social issues, Shailendra wrote all kinds of songs

In the film industry, Shailendra is known as a lyricist who molded Kavita in the form of songs and threaded the truths of life very easily. He not only wrote romantic and passionate songs, but also put social issues on screen through his words. His full name was Shankardas Kesarilal Shailendra.

Today we will talk about one of his evergreen songs “Jeena here die here”. He wrote it for Raj Kapoor. There is a funny anecdote associated with this song. The pain that is in this, it was actually faced by Shailendra in his life.

One of the most prestigious songs in the history of Indian cinema, “Jeena Die here is from the 1970 film ‘Mera Naam Joker’. After the failure of a film, Shailendra wrote it. It is mentioned in the magician of songs: Shailendra is in the book. It has been written by Braj Bhushan Tiwari.

It was written that ‘Jeena Die here here’

Actually, in 1966, Shailendra produced his first and last film ‘Third Kasam’. He had high expectations from this film, but it flopped badly at the box-office. The film may win the National Award, but its business failure broke Shailendra economically and emotionally. He was drowned in heavy debt and was in deep shock.

In this difficult time, his close friend Raj Kapoor requested him to write a song for his ambitious film ‘Mera Naam Joker’. Raj Kapoor, who understood Shailendra’s poetic mind well, wanted a song that became the soul of the film.

When Shailendra came to meet Raj Kapoor, he looked very tired and upset. Raj Kapoor made him sit and explained the theme of the song. The song was to be about the life of a clown, which always has to keep smiling for the audience despite the pain and sorrow inside. This song was about to be the essence of the true meaning of life, death and the existence of an artist.

Shailendra heard everything silently. Raj Kapoor saw that he was somewhat more calm today. Raj Kapoor gave him the initial line of singing: “Jeena here die here.” Shailendra, who was still immersed in deep thinking, take this line and write the entire song in the same flow.

When he handed over paper Raj Kapoor, Raj Kapoor was surprised. These were not just words, but a deep expression of the soul of a broken person. “Tomorrow we are not in the game, the stars will always be in the game. You will forget that, but we will always be yours. Will be here.”

In these lines written for ‘Joker’, Shailendra also described his real struggles. He wrote it as a emotional expression of his own pain and despair. He poured the failure of ‘Third Kasam’ and suffering from his financial troubles in this beautiful poem.

There are some families in Hindi cinema whose name has become identity. One of these is the Kapoor family, which has always been associated with acting, direction and art. This tradition Prithviraj Started with Kapoor and then Raj Kapoor, Shammi Kapoor, Shashi Kapoor, Rishi Kapoor and Randhir Kapoor lasted. Every generation created its own identity.

Become an actor The dream of remained incomplete

Rajiv Kapoor was born in this family. He got recognition, but did not get as much success as He wanted Rajiv Kapoor’s dream was to become a good actor, but his father Raj Kapoor wanted to see him as a director. Rajiv, trapped between these two paths, tried to prove himself on the screen and sometimes behind the camera. But despite many attempts, he He could not get great success, which he expected.

,Ram got identity from Teri Ganga Maili ‘

Rajiv Kapoor was born on 25 August 1962 in Mumbai. They lovingly ‘Chimpu‘It was said. He from ‘Ek Jaan Hai Hum’ in 1983 Acting Started, but the film did not succeed. After this’ sky ‘,’Lover ByeHe was seen in films like ‘and’ Jhanhak ‘, but could not make a big identity.

In 1985, ‘Ram Teri Ganga Maili’, directed by Raj Kapoor, was a superhit and Rajiv got fame. Despite this, they Industry I could not achieve the place which was expected. His negligence and alcohol habit also career Effect on

Distance in relationships

Film critic Jayaprakash Square Said, “Raj Kapoor Done Them Advice Gave That acting of Effort Don’t do it, Rather Directing In own career Make, But Rajeev Of Mind In actor Form of Yearning So much Was That They Father of talk No Assuming Hasty In ,One Life Are We, As Movies Tax Lee, Who fail Stayed, This Reason Rule Camphor With them Angry Too are And Their between Pomp Enhancement Went, Said go Is That Rajeev Done Father Of Last rites In Too Part No Lax Was, By which His Personal Life In Too Tension Made up Raised,

Also worked as a manufacturer and director

Rajiv Kapoor not only acting, but also as a producer and director. In 1991, hehennaThe film was made, directed by his brother Randhir Kapoor. In 1996, he directed the ‘Prem Granth’, in which Rishi Kapoor and Madhuri Dixit were in the lead roles, but the film was not successful. After this he TV Serial In 1999, he built ‘Dynasty’ and ‘Aa Ab Laut Chalen’, directed by Rishi Kapoor. Despite so many efforts, Rajiv did not get constant success and gradually distance from films.

There should also be ups and downs in personal life

Rajiv Kapoor in 2001 architect Hindu ritual of worship Sabharwal Married to, but this relationship reached divorce in 2003. After divorce, Rajiv started living alone and bought a bungalow in Pune. The habit of drinking alcohol made his life more difficult. After lockdown during Kovid-19, he returned to Mumbai and started living in Chembur, his elder brother Randhir Kapoor’s house.

Last seen for the last timeToolsidas Junior‘ In

Rajiv Kapoor in 2022 Release Hui film ‘Toolsidas JuniorReturned from ‘ This proved to be his last film, which was completed shortly before his death, The film was successful in praising both the audience and critics.

58 He breathed his last at the age of the year

He died on 9 February 2021 in Mumbai, when he was home to his brother Randhir Kapoor. Morning them Heart Attack Came, and on reaching the hospital, he died. He breathed his last at the age of 58.

There are some stories in the glowing stories of Indian cinema that highlight the hidden struggle, magical story and truth behind the curtain. Vyjayanthimala, who was one of the most popular actresses of the 50-60s, is known not only for her performance and dance art but also for her simplicity.

At the time when Vyjayanthimala stepped into the film world, top stars like Suraiya, Nargis and Raj Kapoor used to dominate. In such a situation, it was not easy to make your identity. The actress in her autobiography ‘Bonding: Ek Memour’ mentioned one of her meetings with Nargis, which took place in an event in Delhi.

When Vyjayanthimala met Raj-Nargis for the first time
In his autobiography, Vyjayanthimala Bali wrote- ‘Raj Kapoor, Nargis, Suraiya and many other artists were present in this event. For the first time I became a part of the film fraternity and interacted with him. Oh God! It was incredible to be seen among such great stars. During this time I also faced some bitter truth. After talks with people, we had to pose for group photographs. Many people came running and started asking for autographs from me.

He further wrote- ‘I heard Nargis saying to Raj Kapoor that he should go to me and ask me not to give autographs. He obeyed him and brought his message directly to me. I just nodded my head, but I was quite surprised by this attitude. This was my first meeting with Raj and Nargis.

Nargis had publicly jokingly called ‘pillar’
This story was also narrated by Annu Kapoor in one of her shows. He told that Vyjayanti Mala was very long. When everyone was standing for the group photo at the event, Nargis looked at Vyjayanti Mala and said- ‘Vyjayanti is very long, like a pillar, tree.’ Hearing this, tears came in her eyes and in that group photograph, she stood up with her knees. She was very sad when she went home. Then his mother explained to him that you should not pay attention to anyone’s words, keep doing your work honestly. Your job will be your answer to those people.

Vyjayanthimala rejected the Filmfare Award
Born on 13 August 1936 in Madras (now Chennai), Vyjayanthimala acted in films like ‘Naagin’, ‘Devdas’, ‘Madhumati’, ‘Sangam’, and ‘Sadhana’ and made her special place among the audience. In ‘Devdas’, he played Chandramukhi, which was refused by Nargis, Bina Roy, and Meena Kumari. He was awarded the Filmfare Award for this role, but he turned down it as he felt that this award should be not for the supporting actress but for the lead actress.

Vyjayanthimala was very active in politics
In the film career of Vyjayanthimala, he was honored with five Filmfare Awards and the Padma Shri Award by the Government of India in 1968. Vyjayanthimala not only acted in films, but also contributed as choreographer and producer. In 1982, he co-produced the Tamil film ‘Kathoduthan Naan Pesuven’. Apart from this, she also stepped into politics in 1984 and became MP. Later, she left the Congress and joined the BJP and was active in the politics of Tamil Nadu.

Bhojpuri cinema superstar Khesari Lal Yadav is ready to explode once again. The trailer makers of his upcoming film ‘Shri 420’ released on Sunday. As soon as the trailer arrived, the audience made a splash.

In this film, along with Khesari Lal, Madhu Sharma and Shweta Maharaj will also be seen in the lead role. In the trailer, both Khesari’s action is full of action and comic avatar. He is seen dodging people in different forms by becoming a clever thug. In the midst of this fraud, the humer and comedy’s temper is a lot of tickle to the audience.

How is the trailer of ‘Shree 420’

The trailer of the film was released on SRK Music’s YouTube channel. This trailer starts in a very interesting way and hears a strong voiceover, “You must have heard Natwarlal’s name, which sold Taj Mahal, Red Fort … Rashtrapati Bhavan ….”

This is where the twist starts in the story. This is followed by a bang entry of Khesari Lal Yadav, which was called ‘Aaj Ki Natwarlal … Bhaiya Rajan’ in the trailer. During this time there is a voice from the background, ‘Meet them, these are Natwarlal Bhaiya Rajan today … Do not go on their innocent face … It is their nature to throw big.’

See the trailer here

https://www.youtube.com/watch?v=ka2rgwjsz50

The trailer shows glimpses of Khesari’s cleverness, where they are seen cleverly dodging people. On the other hand, he himself gets caught in troubles due to his antics, which makes a tremendous temper of comedy and drama in the story.

Also, his romantic style and action avatar in the film is also worth seeing. This is the reason that the trailer has received more than four lakh views in a few hours of release and this number is constantly increasing.

The filmmakers are Madhu Sharma and Sameer Aftab, while the direction is commanded by Praveen Kumar Guduri. Apart from Khesari, veteran actors like Sanjay Pandey, Samarth Chaturvedi, Prakash, Nisha Gupta and Umakant Rai will also be seen in strong roles in addition to Khesari.

Khesari has also posted on Instagram about the trailer of the film and appealed to the fans to watch and respond. Please tell that a film of this name was made by Raj Kapoor in the year 1955.

Filmmaker Boney Kapoor shared an old picture of his late wife Sridevi on Instagram and told that this is a moment before marriage. Boney Kapoor has shared a black and white picture on her Instagram account, in which Sridevi is sitting on the chair and posing for the camera. During this time she is also doing light smile.

In the caption of this photo, Boney Kapoor wrote, “Seeing me is smiling, this moment is before our marriage.”

Let us know that Boney Kapoor and Sridevi fell in love with each other during the shooting of the 1987 film Mr. India. Both of them got married in the year 1996. They had two daughters- Jahnavi Kapoor and Khushi Kapoor.

However, Sridevi suddenly died in Dubai in 2018. He died due to drowning in the bathtub.

Boney Kapoor keeps sharing posts with Sridevi on his social media account. Recently, he posted some old pictures sharing an anecdote, when Raj Kapoor gave Sridevi the silver jubilee trophy of the film ‘Mr. India’.

Sharing a funny anecdote, Boney Kapoor told that Raj Kapoor wanted to take Sridevi in his film ‘Ghunghat Ke Pat Khol’.

Boney Kapoor wrote, “Raj Kapoor is giving Silver Jubilee Trophy of ‘Mr. India’ to Sridevi with great love. During this time he told Sridevi the story of his film ‘Ghunghat Ke Pat Khol’, in which he wanted to cast her. I remember, Raj Kapoor had mentioned it in a conversation before that.”

Boney further told that Raj Kapoor’s family used to call him ‘Cinderella’.

Boney Kapoor further told that Raj Kapoor was waiting for a long time to meet Sridevi, when he met Sridevi at the event, he told his wife Krishna Kapoor, “It was right to wait.”

In the glamorous industry of Bollywood, many people come to try their luck, but only some of them get shine. One of them is also named Mandakini. In 1985, he started his acting with Raj Kapoor’s brilliant film ‘Ram Teri Ganga Maili’.

His pairing with Rajiv Kapoor and his beautiful acts made him a star overnight. But something happened behind this stardom which a big star like Mandakini also had to face.

Mel Hero dominated films in the 90s

Mandakini had told in an old interview that in the 1980s and 90s, the film industry used to have a lot of dominance. He told that often the hero of the film used to decide which actress should be cast with him and who did not. Further, she says that if a hero did not like an actress or had any tip from her, then the producers and directors used to take her words easily and take some other actress.

When he was asked during this interview how you handled this situation at that time, Mandakini obeys the point and says – ‘Yes, this happened to me twice when he was removed just because a big actor did not like to work with him. ,

The film was taken away from Mandakini for a little higher fees

Even during her success, Mandakini struggled a lot about work in the industry. Sharing an experience, she says that a producer narrated the script to her, which she had said yes to it. But after a few days, it was announced that another actress has been cast in that film. When asked the reason behind this, it was found that Mandakini was charging 1 lakh rupees for this film while the other actress agreed to 75 thousand.

Karishma Kapoor ruled Bollywood with her acting and chulbul style in the 90s. The actress has given superhit films with every big star in her long career. But here we have brought you an interesting anecdote related to Karishma’s birth. You will be surprised to know that his grandfather Raj Kapoor had a strange condition to see the actress for the first time.

This story related to Karishma’s birth is very interesting

Karishma Kapoor is the elder daughter of Hindi cinema veteran stars Randhir Kapoor and Babita. The actress was interested in films since childhood. So she started acting from a young age and soon through her hard work, she became a Bollywood superstar actress. Even today, his craze among fans has not reduced.

Dada did not want to meet Karisma after birth,

But do you know that when Karishma was born. Then his grandfather Raj Kapoor had placed a condition in front of the actress’s father Randhir Kapoor to meet him. Actually, according to Ritu Nanda’s book ‘Raj Kapoor: The One and Only Showman’, Karishma’s mother Babita had told that when Karishma was born, the whole Kapoor family had reached the hospital to meet him, but Raj Kapoor did not reach.

What did Raj Kapoor keep the condition,

Babita had told that, when Karishma was about to be done, Raj Kapoor had placed a condition. According to this condition, he will come to the hospital only when the child’s eyes are blue. At the same time, when Karishma was born, his eyes were blue like grandfather. That’s why Raj Kapoor came to meet him with full happiness. Please tell that Karishma’s bonding of her grandfather was very deep.

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